"She's So Funky Now" [sic]

I was grabbing some lunch the day before our trip to Montreal (which, of course, was the day before my wife and I were going to see Peter Gabriel in concert) when I heard "Games Without Frontiers" playing on the radio.

And when I did the math in my head I suddenly felt very, very old.

Because when I heard the song it brought back the memory of when I was young and how I thought the chorus to the song was "She's so funky now". It wasn't until I read the liner notes that I realized the chorus actually was "Jeux sans frontieres" and I was struck by the fact of how wrong I had been and how cool Peter Gabriel was: he was saying the title in French and I had misheard it in English. (Years later I learned that Peter Gabriel took the title and the chorus from a French game show. Which didn't make it any less cool. As a matter of fact, it managed to make the song and its title even more relevant once I read the premise of the television show.)

(Oh, and I still think that "She's so funky now" is a rather interesting mishear-ment of a song. Perhaps it's not as interesting as the classic and horribly incorrect "Excuse me while I kiss this guy", but it's still pretty good.

And my other great mishear-ance was from Randy Newman's "Sail Away": Rand sings "We will cross the mighty ocean into Charleston Bay". But I heard "We will cross the mighty ocean in just one day." The true lyric has historical context, but my lyric is perfectly acceptable within the cruel salesmanship of the song.)

Back to jeux sans frontieres: I remember doodling the words on a French test in high school because I thought they were cool and because I wanted to show my French teacher that I knew something besides the verb conjugation I had learned so very inadequately in his class. Because of all that I'm able to place the song at a certain time in my life.

But then, after all that flashed through my mind, I did a wee bit of quick math and I realized -- ahh crap! -- that if I scribbled the song's chorus in high school, it means that the song is now more than 30 years old! Which makes me -- well, much older than I usually think I am.

(As an aside, Wikipedia informs me that the song came out in 1980 which indeedly-deedly-doo confirms that the song is 30 years old. But it also goes to prove a point: I don't need wikipedia as long as I can rely on simple math skills and the continued kindness of women who continue to wear sandals so I can count on their beautiful painted toes when I've run out of fingers and toes of my own.)

(Oh, and did I mention that Peter Gabriel recorded an Oscar-nominated Randy Newman song for the soundtrack of "Babe, Pig in the City"? Randy Newman finally won an Academy Award a couple of years later. Peter Gabriel was nominated for a song in "Wall-E" but hasn't taken the trophy home yet.

Having said that here's a clip with Peter Gabriel singing "That'll Do" with Rand on the piano...)

http://www.dailymotion.com/video/xan3b7_peter-gabriel-randy-newman-thatll-d_music


As for the concert in Montreal...

The Rhythm of the Heat

It can be a terrifying experience when you dare to see an artist who you've admired and enjoyed for many, many years.

Will they still have the magical charisma of their youth or will they merely be coasting on past accomplishments? Do they still have something to say, or are their best days behind them?

The scene in the movie 'Trainspotting' captured it perfectly when two of the characters talk about the career trajectory of Sean Connery. Their conclusion: "So we all get old and then we can't hack it anymore. Is that it?" Musical examples would be Bob Dylan, The Who and The Rolling Stones -- do they have anything new to contribute or are all artists doomed to follow the path of Sean Connery?

After seeing Peter Gabriel in concert, it is a huge relief to report that he is the exception to the Trainspotting rule.

Before writing about the concert, I have to confess that I am not a huge fan of Peter Gabriel's new album, "Scratch My Back". It has an interesting and challenging concept as he does interpretations of classic songs without the safety net of guitars or drums and instead relies on orchestral arrangement for the material. David Bowie's "Heroes", Paul Simon's "The Boy in the Bubble" and Randy Newman's "I Think It's Going to Rain" are among the songs that he re-works under his self-imposed restraints.

But as a complete work the album sounds monotone and dull because it lack any shifts in mood or passion. It can be enjoy in tiny morsels, but listening to the whole thing in one sitting is somewhat trying. And coming from an artist as energetic and thrilling as Gabriel, the album feels especially dry.

Having said that, when I heard that he was touring and making a stop in Montreal, there was no way I was going to pass on the event.

As a bit of an aside: years ago I had to learn the difference between a play and the production of a play: Shakespeare's "Hamlet" exists on the page; the production is what I might go see in Stratford. The work continues to exist on the page while the production is an interpretation of the work -- sometimes the interpretation is a success, sometimes it's a failure. Books and films can have the same relationship -- the adventures of Sherlock Holmes, Tarzan and Harry Potter continue to live on the page no matter how good or bad the screen interpretations may be.

And in the same vein, while the album doesn't work for me, the concert presentation of "Scratch My Back" was a marvel to hear. While there are still challenges with what the orchestral arrangements can and cannot do, the concert setting and atmosphere makes the music powerful and captivating in a way that the album never does.

The concert was broken into two parts: the first had Gabriel perform the new album in its entirety. He then returned after a a short break to present re-workings of some of his own songs including "Digging in the Dirt", "Mercy Street" and "San Jacinto". The tribal-like of drums were sorely missed in "The Rhythm of the Heat", but "In Your Eyes" and "Solsbury Hill" were exhilarating with the orchestra.

Peter Gabriel's voice sounded somewhat challenged at times but considering the man is now 60 years old, it's not surprising that some of the notes that he hit some 30 years ago are no longer within his range.

But what is surprising is that he continues to challenge himself. It would have been easy for him to coast and merely give the fans what they want. Instead, he continues to challenge himself and his listeners to try something completely different.

The album doesn't work for me and I still can't listen to the entire cd at one time. But I do appreciate it more after seeing the show. Peter Gabriel's latest endeavor could have easily seen him fall on his face, but instead he soared.